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August 07, 2004

Body of the Nation - Why women were mutilated in Gujarat

Boston Review - Summer 2004
URL: http://bostonreview.net/BR29.3/contents.html

Body of the Nation
Why women were mutilated in Gujarat

Martha C. Nussbaum

I. What Happened

8 On February 27, 2002, the Sabarmati express train arrived in the station of Godhra, in the western Indian state of Gujarat, packed with Hindu pilgrims who were returning from Ayodhya. Ayodhya, as the alleged birthplace of the god Rama, has been a focal point of Hindu anti-Muslim feeling for several decades. In 1992, Hindu zealots destroyed the 16th-century Babri mosque there, claiming that it covered the remains of a Hindu temple. The pilgrimage, like many others in recent times, aimed at forcibly constructing a temple over the disputed site, and the mood of the returning passengers, stymied by the government and the courts, was angry. When the train stopped at the station, passengers got into arguments with Muslim vendors and passengers. At least one Muslim vendor was beaten up when he refused to say “Jai Sri Ram” (“Hail Ram”), and a young Muslim girl narrowly escaped forcible abduction. As the train left the station, stones were thrown at it, apparently by Muslims.

Fifteen minutes later, one car of the train erupted in flames. Fifty-eight men, women, and children died in the fire. Most of the dead were Hindus. Attempts to determine what really happened by reconstructing the event have shown only that a large amount of a flammable substance must have been thrown from inside the train. Because the area adjacent to the tracks was an area of Muslim dwellings, and because a Muslim mob had gathered in the vicinity to protest the incident on the train platform, blame was immediately put on Muslims. (Later, a number of public figures argued that the blaze was set by Hindu nationalists attempting to provoke a rampage.)

In the days that followed, wave upon wave of violence swept through the state. The attackers were Hindus, many of them highly politicized, shouting Hindu-right slogans, such as “Hail Ram” (a religious invocation wrenched from its original devotional and peaceful meaning) and “Hail Hanuman” (a monkey god traditionally celebrated for loyalty, but portrayed by the Hindu right as highly aggressive), along with “Kill!,” “Destroy!,” “Slaughter!” There is copious evidence that the violence was planned before the precipitating event. The victims were almost all Muslims, with an occasional Christian or Parsi thrown in. There was no connection between the identity of the victims and the identity of alleged perpetrators: attacks took place, for the most part, far from the original site. In fact, many families of the original dead implored the mobs to stop. Nonetheless, more than 2,000 Muslims were killed in a few days, many by being burned alive in or near their homes. No one was spared: young children were burned along with their families.

Particularly striking were the mass rapes and mutilations of women. The typical tactic was first to rape or gang-rape the woman, then to torture her, and then to set her on fire and kill her. Although the fact that most of the dead were incinerated makes a precise sex count of the bodies impossible, one mass grave that was discovered contained more than half female bodies. Many victims of rape and torture are also among the survivors who have testified. The historian Tanika Sarkar, who played a leading role in investigating the events and interviewing witnesses, has argued in an important article that the evident preoccupation with destroying women’s sexual organs reveals “a dark sexual obsession about allegedly ultra-virile Muslim male bodies and overfertile Muslim female ones, that inspire[s] and sustain[s] the figures of paranoia and revenge.”1 This sexual obsession is evident in the hate literature circulated during the carnage, of which the following “poem” is a typical example:

Narendra Modi [Chief Minister of Gujarat] you have fucked the mother of [Muslims]
The volcano which was inactive for years has erupted
It has burnt the arse of [Muslims] and made them dance nude
We have untied the penises which were tied till now
Without castor oil in the arse we have made them cry. . .
Wake up Hindus, there are still [Muslims] alive around you
Learn from Panvad village where their mother was fucked
She was fucked standing while she kept shouting
She enjoyed the uncircumcised penis
With a Hindu government the Hindus have the power to annihilate [Muslims]
Kick them in the arse to drive them out of not only villages and cities but also the country.
[The word rendered “Muslims” (“miyas”) is a word meaning “mister” that is standardly used to refer to Muslims.]

As Sarkar says, the incitement to violence is suffused with anxiety about male sexuality, and the treatment of women that resulted seems to enact a fantasy of sexual sadism far darker than mere revenge. In an affidavit submitted to the Commission of Enquiry in June 2002, the leading feminist legal activist Flavia Agnes testified that although sexual crime is a common part of communal violence, the “scale and extent of atrocities perpetrated upon innocent Muslim women during the recent violence, far exceeds any reported sexual crime during any previous riots in the country in the post-independence period.”2

The events in Gujarat in 2002 are of immense importance to anyone thinking about the future of democracy.3 In a companion piece to the present essay, published in Dissent,4 I have written about the breakdown of the rule of law in Gujarat, the active abetting of genocide by the Bharatiya Janata Party (BJP) government at both the state and national levels, and the evidence that elements in the U.S. Indian community are funding religious violence. I have also argued that the construction of Hinduism put forward by the Hindu right is not traditional or indigenous, but is in most respects borrowed from European fascism, which the founders of the Hindu right greatly admired. My aim in this article is to follow Sarkar’s lead, focusing on Gujarat’s gruesome sexual violence and asking how it might be further illuminated with the aid of ideas drawn from feminist thought.

First, with the aid of Sarkar’s important scholarship, I shall describe a history of connecting women’s bodies to the idea of the Indian nation. This connection, I believe, is implicit in the events of Gujarat. But Sarkar’s analysis can be taken even further if we connect her account of home-as-nation to the feminist analysis of objectification. Not even this analysis suffices, however, to explain the extreme gruesomeness of the sexual tortures in Gujarat. We can go further with the help of an account of misogynistic disgust that was originally sketched in Andrea Dworkin’s Intercourse.5 The events of Gujarat will thus be seen to involve psychological dynamics that are widespread in gender relations; they took a particularly anxious and aggressive form in this concrete political context.

II. Women as Nation

During the period of colonial rule the British needed to establish secure control over national political processes and criminal and commercial law. They achieved this control in part by establishing a uniform legal code for these aspects of the law. But they left family law in the hands of the different religious communities. Christians, Parsis, Hindus, and Muslims: each group had its own laws for marriage, divorce, inheritance, and succession.6 In the case of the Hindu system, the British actively aided its codification, building a single system out of many systems of local jurisdiction. This separation of family law from other legal arenas was all the more easily accepted because it tracked a distinction between the “public realm” and the “private realm” that was traditional not only in Western political philosophy but also in Indian legal and philosophical traditions.7

In Hindu Wife, Hindu Nation, a study of the construction of gender and national identity in 19th- and early 20th-century Hindu India, Sarkar argues that this separation of domains served the purposes of empire well. While establishing secure domination in the most important matters, it also quieted dissent by allowing the males of the subject population a sphere of rule: the household, where a man who had few rights in the outer world could be a king. Control over women’s bodies was thus substituted for control over other aspects of daily life. And self-respect that was injured in the daily encounter with the racial hierarchy of the outer world could be built up again by the experience of secure kingly rule in the sphere of the family.

As time went on, this control increasingly mimicked its source: the violence of colonial domination displaced itself onto the domination of women, which had never been all that benign, but which was permitted increasingly to express itself in violent ways. In the face of a complaint involving the rape and death of a 12-year-old child wife and mother, for example, British judges resisted indigenous Indian demands for the reform of laws governing marital age and consent. They argued that local traditions required deference, and that judges were not entitled to go against them.8 Such maneuvers had the effect of insulating domestic violence, even of this appalling and fatal sort, from criticism and change. At the same time, given that self-respect and manly status were increasingly defined around the control of women’s bodies, reform met with increasing internal resistance: for who would want to give up the one area of manly pride and honor? The female body simply is the nation: by controlling it, men control India, even if they don’t.

This widespread image of the female body as the nation helps to explain why, during the waves of communal violence at the time of independence, possession of women was such an important issue to the contending sides, as Muslims established Pakistan, and as Hindus and Muslims killed one another in large numbers during the mass migrations surrounding the separation of the two nations. Women were raped in huge numbers; often they were abducted as well and forced to bear the children of the Muslim or Hindu who had abducted them.9 The rationale of these rapes and abductions is easy to connect with the earlier history: if the female body symbolizes the nation, then in the struggle of two emerging nations the possession and impregnation of women is a potent weapon in consolidating power. Even when women were not abducted but were raped and then brutally murdered, this too was an act symbolizing the power of one group to damage the domain of rule of the other group, dishonoring the group in the process.

To move from the time of Sarkar’s book into the present day, the legal separation that helped to produce this situation was permitted to survive untouched in India at independence, with the result that reform in family law is extremely slow and cumbersome. Christian women in India, for example, won the right to divorce on grounds of cruelty only in 2001. All four religious systems of personal law contain significant inequalities between the sexes; the control over women’s bodies continues to be a rhetorically and politically potent issue that can block change. Each group continues to some extent to see the female body as a symbol of the nation, which its men must control in order to preserve manly honor. The struggle of the men within each group not to cede to women any sphere of rule that might weaken them in relation to the men of any other group is a major impediment to feminist reform.10

This history goes some distance toward explaining the events in Gujarat, with their insistent focus on the violation of the female body. If the Muslim female body is a part of the nation that is currently dominated by one’s adversary, then one must possess it to possess secure control over the nation. Murder, and hence destruction of the source of offspring, is one sure way of depriving the adversary of control over his “kingdom.” If in the process one dishonors the adversary, all the better.
III. Objectification

The identification of the female body with the nation takes us some way into the grim darkness of Gujarat, but questions remain. If woman symbolizes nation, why are women brutally and sadistically tortured rather than abducted and impregnated? To be sure, many people were murdered at partition, and in the general violence many women were used simply as objects of the desire to maim and kill. On the other hand, the logic of colonial possession was also amply evident in that case, since men really did want to take these women to their country and force them to bear their children. And in large numbers, they did so. In Gujarat, we hear nothing of this sort. Women were simply tortured and killed. So we wonder how the idea of woman as symbol of nation and national rule could possibly lend itself to this particular type of violence, what the connection can possibly be between seeing a woman as a symbol of what one loves and honors and seeing her as an object that one can break up, with indifference to her pain. Shouldn’t we say that it’s only to the extent that men had lost the connection between woman and nation that they were able to treat women in this hideous way, not even permitting the survival of the body itself, but first torturing it and then, usually, burning it to cinders?

In short, how can one maim, burn, and torture the venerated body of the nation?

The feminist concept of “objectification” provides essential insight here.11 Objectification is treating as a mere thing what is really not a thing. It has multiple aspects, including the denial of autonomy and subjectivity and the ideas of ownership, fungibility (one is just like the others), and violability (it’s all right to break the thing up or abuse it). Not all forms of objectification possess all these features: for example, one may treat a fine painting as an object, thus denying it autonomy and subjectivity, without holding it to be fungible with other paintings and without holding that it is all right to break it up. In the domain of human relations, however, sinister connections begin to be woven among these different aspects. At the heart of all of them, I would argue, is the idea of instrumentality: a thing, unlike a person, is an instrument or means to the ends of persons; it is not an end in itself. The objectification of women is primarily a denial that women are ends in themselves. It is because one has already made that denial, at some level of one’s awareness, that it becomes so easy to deny women autonomy, to deny that their subjective experience matters, and, even, to begin to ignore qualitative differences between one and another, as pornography so easily does.

What is relevant here is that the logic of instrumentality also leads powerfully in the direction of seeing women as violable. What you have already conceived of as a mere tool of your own ends, not an end in herself, can so easily be understood as something that you may beat, abuse, burn, even break up at will: it is yours to use, and to abuse. Even a precious painting has legal rights against such abuses only in virtue of its connection with a human maker: the “moral rights” of artworks under contemporary European law are not rights of the painting as such, but rights of the artist in the painting. So too, once women are understood as mere instruments of men’s desires (for power, for pleasure), there would seem to be no principled limit on the ways one might use them. A means is a means to an end.

To bring these points back to the case of India: treating women as the nation, while apparently honorific, is already a form of objectification, and, particularly, of instrumentalization. Under colonialism, a nation is a ground on which men may gratify their desires for control and honor. By being exalted into a symbol of nationhood, a woman is at the same time reduced—from being a person who is an end, an autonomous subject, someone whose feelings count, into being a mere ground for the expression of male desire. Thus, although much of the time the male who sees a woman that way will still want her to live and eat and bear children, there is no principled barrier to his using her brutally if that is what suits his desires. We see that connection already in the grim tales of domestic violence narrated by Sarkar.

And we see it clearly, I believe, in Gujarat. Muslim female bodies symbolize a recalcitrant part of the nation, one as yet undominated by Hindu male power. One reaction to that situation might have been to abduct the woman and to place her in one’s own household. But if women are things, instruments, objects, then their bodies may also be used in gruesome ways—if that is what will best satisfy one’s desires for power, honor, and security. Once the status of end-in-itself is denied, everything else follows on a whim.

In short, it is not simply because the logic of the domestic sphere became the logic of kingly rule, but because of the particular form this kingly rule took, involving the conception of women as means rather than ends, that nation-worship can so easily segue into woman-killing. Other forms of kingly rule—for example, most parents’ relations toward their very young children—do not involve instrumentalization, and do not lead to violence of the sort we see in Gujarat. But the particular way in which kingly rule over women made them into a symbol of nationhood involved instrumentalization. So the woman was reduced from a person to a mere symbol, and that symbol, however apparently honorific, was a mere tool of male ends. The road from that point to violation is short and relatively direct.

IV. Disgust

We have gone a little further toward understanding the logic of these tortures, but not far enough. For the logic of colonial objectification, as I have sketched it, might be satisfied, indeed seems best satisfied, with abduction, rape as impregnation, and other well-known devices through which men at war establish their domination over the subject nation. But as Sarkar says, there is something dark and unusual about the Gujarat tortures, something suggesting obsession with the female body and especially its genital organs. Torture and abuse, particularly the insertion of large metal objects into the vagina and other forms of genital torture, play a dramatic and unusual role in these events. The feminist analysis of objectification shows why there would be no large barrier to using women’s bodies in these ways. But why would men inflict such tortures? The account of objectification does not help us answer this question. This Muslim woman–hating involves something more than mere doing as one wants with an instrumental object, more even than the desire to colonize the enemy’s domain and thus to inflict dishonor upon it. Although Defence Minister George Fernandes treated the rapes dismissively, as if they were nothing new, most witnesses disagreed.12 As one commentator writes, “The violence in Gujarat was different from earlier incidents of communal violence, both for the scale of the assaults and for the sheer sadism and brutality with which women and girls were victimized.”13 This new something, I would argue, is connected to the operations of disgust, an emotion that plays a key role not only in misogyny but in many types of racial hatred.14

Disgust plays a powerful role in human life. Through our strong aversive reactions to substances such as feces, decaying meat, corpses, and other bodily waste, we police the boundaries of our body from contamination every day. Disgust is distinct from distaste: the very same smell arouses different disgust reactions depending on the person’s conception of the object she is smelling. It is also distinct from the sense of danger, for many things are disgusting long after all danger is removed. Disgust is an emotion heavily caught up in symbolic and magical thinking. Its objects are reminders of our animality and mortality, either because they are in fact corpses or waste products or because they come through a process of association to symbolize waste, excrement, and mortality. Disgust works by shielding human beings from too much daily contact with aspects of their own humanity that are difficult to live with. Thus if we don’t touch corpses or oozy, decaying, smelly things, we may be able to ignore our own mortality. If we neatly dispose of our bodily waste products, we more easily forget that we are made of stuffs that end up on the dungheap.

It is not enough for human beings to protect themselves from contamination by the primary objects of disgust, such as feces and corpses. Humans also typically need a group of humans to bound themselves against, who come to symbolize the disgusting and who, therefore, insulate the community even further from its own animality. Thus, every society ascribes disgust properties—bad smell, stickiness, sliminess, foulness, decay—to some group of persons, who are therefore found disgusting and shunned, and who in this way further insulate the dominant group from what they fear facing in themselves. In many European societies Jews have played that role: they have been characterized as disgusting in those physical ways, and they have been represented symbolically as vermin who had those same properties. In the traditional Hindu caste hierarchy, dalits, formerly called “untouchables,” played a related role: through their contact with waste products they were regarded as themselves contaminated, thus not to be touched by the pure person; their very existence in the community shielded the pure from the decay and stench of their own animality. (But not from danger: Gandhi points out in his autobiography that during a cholera epidemic the lower castes, who defecated in the fields far from their dwellings, were less at risk of disease than the upper castes, who used the gutters outside their windows to dispose of waste.)

Projecting disgust onto another group subordinates the group. The group to whom disgust properties are ascribed exemplifies animality and thereby (in the eyes of the dominant group) lowness in contrast to the allegedly pure dominant ones. But because the subordination is inspired at root by anxiety and denial, it is not a peaceable subordination. Disgust minorities are not treated like nice household pets. Instead, the rage that people feel against their own mortality and animality is often enacted toward them, whether by humiliation or, in addition, by physical violence. At its extreme point the anxiety issues in projects of ethnic cleansing: if only we could completely rid ourselves of this group, the thinking goes, we would be free of our own death.

In virtually all cultures, women are among the groups to whom disgust properties are imputed. Portrayed as hyperanimal beings, receptacles of male bodily emissions as well as the fluids associated with menstruation and birth, women are portrayed as sticky, smelly, dirty, repellent. Taboos associated with menstruation and birth are but one sign of this ubiquitous construction. But there is a subtle difference between disgust toward Jews, say, and disgust toward women, for women are, to dominant males, sexually alluring as well as disgusting, and one of the alluring things about them is the fact that they exemplify the forbidden terrain of the hyperphysical, which is the disgusting.15 Men are revolted by the idea of their semen inside a woman’s vagina, and yet they can’t keep from wanting to put it there.16

In a brilliant analysis of Tolstoy’s The Kreutzer Sonata,17 Andrea Dworkin argues that this fact about disgust toward women—that men can’t keep from wanting them and then feeling sullied and disgusted by them—undergirds objectification: as Tolstoy’s narrator says, he can’t see his wife as a person and an end as long as he sees her as this alluring disgusting thing that he needs to use for his pleasure. But this objectification takes a particularly violent turn. For the very understanding of dominant masculinity that makes all reminders of animality disgusting is deeply threatened by sexual desire for women. The man sees, in his desire, that he is not who he pretends to be: he is an animal wanting to exercise animal functions. This deep wound to his ego can only be salved by destroying the cause of his desire. Thus Tolstoy’s narrator has murdered his wife. Only after she is dead, he tells us, can he see her as a human being—because then he no longer desires her. Similarly, according to Dworkin, Tolstoy himself records in his diary violent repulsion and antagonism toward the young wife who tempts him out of his purity. Dworkin suggests that male desire is often, if not always, mingled in this way with the desire to violate and destroy.

Dworkin’s analysis of disgust misogyny would have been even stronger had she grounded it in a more general analysis of human disgust, but at any rate it is clear that she has identified a feature of misogynistic disgust that makes it (even) more violent than many other instances of disgust. My more general analysis suggests that disgust toward women of minorities already marked as animal is likely to be even more intense: thus Jewish women, in Nazi-era literature, were represented as hyperanimal and hypersexual beings, who exercised a fascinating allure but who must all the more resolutely be resisted by the pure German male, as he attempted to establish his purity and domination. [...].
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